Download E-books Cartography and Art (Lecture Notes in Geoinformation and Cartography) PDF

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This ebook is the fruition of labor from members to the paintings and Cartography: Cartography and artwork symposium held in Vienna in February 2008. This assembly introduced jointly cartographers who have been attracted to the layout and aesthetics parts of cartography and artists who use maps because the foundation for his or her artwork or who contain position and area of their expressions. the end result of bringing jointly those like minds culminated in a superb occasion, spanning 3 evenings and days within the Austrian capital. Papers, exhi- tions and installations supplied a discussion board for appreciating the endeavors of artists and cartographers and their representations of geography. in addition to indulging in an expansive and expressive celebration attendees have been capable of re? ect on their lonesome paintings and talk about related parts in each one other’s paintings. It additionally allowed cartographers and artists to debate the opportunity of collaboration in destiny examine and improvement. To recognize the signi? cance of this occasion, paper authors have been invited to additional improve their paintings and give a contribution chapters to this ebook. We think that this ebook marks either a signi? cant celebration in Vienna and a kick off point for destiny collabo- tive efforts among artists and cartographers. The editors want to recognize the paintings of Manuela Schmidt and Felix Ortag, who undertook the duty of the layout and format of the chapters.

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Developing an trade discussion board for Cartographers and Artists . . . . The Symposium on “Cartography and paintings” . . . . . . . . . . . . . . . . . . . . Conclusions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . three three four eight 2 artwork and Cartographic conversation . . . . . . . . . . . . . . . . . . . . . . . . . William Cartwright nine 2. 1 creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. 2 technology and expertise and regulations Imposed on ‘Art’ in Cartography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. three Discrete Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. four the net . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. five artwork and Representing Geography . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. 6 The Case for Maps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. 7 The Case for ‘More than simply Maps’ . . . . . . . . . . . . . . . . . . . . . . . . . 2. eight Conclusions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . nine three Rejecting Illusionism: remodeling area into Maps and into paintings . David Fairbairn three. 1 three. 2 three. three three. four three. five three. 6 three. 7 three. eight creation: Cartography and artwork are various . . . . . . . . . . . . . . . Cartographic variations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . differences in artwork, and the function of Emotion . . . . . . . . . . . . . . . Contrasting Technical Natures of paintings and Cartography . . . . . . . . . . contemplating illustration in paintings and Cartography . . . . . . . . . . . . Contrasting the software of artwork and Cartography . . . . . . . . . . . . . . . . Can artwork and Cartography Converge? . . . . . . . . . . . . . . . . . . . . . . . . Conclusions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . eleven thirteen 14 15 19 20 21 23 23 24 26 28 29 30 30 33 xiv desk of Contents four From a Cartographic look to Synchronistic reports . . . . . . . . Felicitas Thun-Hohenstein five Marriage and Divorce: Is the Evolution of panorama work finishing within the Fields of Topographic Cartography and photo layout? . . . . . Markus Jobst five. 1 creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . five. 2 Spatial verbal exchange wishes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . five. three easy point verbal exchange for Spatial content material . . . . . . . . . . . . . . . five. four Early Graphical is still of Spatial communique . . . . . . . . . . . . five. five Abstraction of area – psychological approaches . . . . . . . . . . . . . . . . . . . . . five. 6 Evolution of Cartographic communique utilizing Linguistics . . . . . five. 7 the connection among paintings and house . . . . . . . . . . . . . . . . . . . . . five. eight Precision and army secrets and techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . five. nine Are Spatial Representations turning into ‘Artificial’ back? . . . . . . . . five. 10 Conclusions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 forty three forty four forty six forty six forty seven forty eight forty nine 50 fifty two fifty three fifty four part II: Aesthetics and Cartographic layout . . . . . . . . . . . . . . . . . . . . fifty seven 6 Are we residing in a Cartographic Illiterate Society? . . . . . . . . . . . . . . Karel Kriz 6. 1 creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6. 2 idea and method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6. three Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6. four Conclusions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fifty nine fifty nine sixty two sixty four sixty eight 7 Aesthetics of the CORINE Land conceal Maps . . . . . . . . . . . . . . . . . . . Ján Feranec and Ján Pravda 7. 1 creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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