By Frithjof Schuon
This version of well known thinker Frithjof Schuon's writings near to artwork, chosen and edited by way of his spouse Catherine Schuon, includes over 270 photographs―200 colour and 70 black and white. He then offers with the religious value of the inventive productions of Christianity, Islam, Hinduism, Buddhism, and the Far-Eastern international, whereas additionally protecting the topics of attractiveness and the experience of the sacred, the crafts, poetry, track, and dance, and get dressed and atmosphere.
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Extra info for Art from the Sacred to the Profane: East and West (Writings of Frithjof Schuon)
Sure concepts and materials—bronze, paper, Indian ink, lacquer, silk, bamboo, and porcelain—contribute to the originality of this artwork and make certain yes of its modes. the relationship among calligraphy and portray is either shut and decisive, a connection additionally to be present in Egyptian artwork. Writing is a kind of portray; the yellow humans hint their characters with a broom and their portray holds a high quality of writing; hand and eye continue an identical reflexes. Of Confucianist portray it may be acknowledged that it's neither primarily sacred nor but entirely profane; its purpose is moral in a really huge experience of that time period; it has a tendency to symbolize the "objective" innocence of items and never their internal fact. As for Taoist landscapes, they exteriorize a metaphysic and a contemplative country: they spring, now not from area, yet from the "void"; their subject is largely "mountain and water" and with this they mix cosmological and metaphysical goals. it's some of the most powerfully unique varieties of sacred paintings; in a undeniable experience it stands on the antipodes of Hindu paintings during which the primary of expression is precision and rhythm and never the airy subtleties of a contemplation made of imponderables. it's not striking that Chan Buddhism (Zen in Japanese), whose personality is instantaneously unarticulated and wealthy in colors of which means, must have present in Taoist artwork a congenial mode of expression. four 195. girl of maximum Primordial, Taoist portray, Ming Dynasty, c. 1600 196. Confucian sage, nineteenth century 197. inside of the Shugakuin Imperial Villa, Japan; 198-199. inside of a modern residence in To In structure the foremost structures of the yellow race have an identical superposed curves because the pines which encompass them; the extensive, horned, and in a feeling vegetative form of the Far-Eastern roof—the complete often resting on wood columns—even if its prototype isn't the sacred conifers, still retraces their dynamic and majestic existence. while a guy of the yellow race enters a temple or palace he enters a "forest" instead of a "cavern"; this structure has approximately it anything dwelling, whatever vegetative and hot; even the mystical goal of the upward curved hips, which provide the protective roof a definite protective point, convey us again to the relationship among tree and lightning and so as to virgin nature. five 2 hundred. The Izumo shrine, Japan; 201. East pagoda of Yakushi-ji, Nara, Japan Footnotes 1 Their adjustments are affirmed on different planes. in comparison to the sumptuousness and gaiety of colours utilized by the chinese language, eastern art—in the broadest sense—is mostly outstanding via a type of sobriety and genial simplification, and in addition by way of a extra accentuated naturism. yet those adjustments are in general relatively relative. The Tibetan variety is halfway among that of the chinese language and the Hindus and is heavy, somber, from time to time tough, and infrequently flamboyant; the Burmese and Siamese sort is gentle, vigorous, and invaluable. 2 the nice stone temples of Angkor Wat and Borobudur are Indian monuments done by means of yellow males Indianized.